Author: Roger Ebert Page 3

You know when sometimes a film catches fire inside a projector? If it happened with this one, I suspect the audience might cheer.

(1942 – 2013) American film critic, journalist & screenwriter

Valentine's Day is being marketed as a Date Movie. I think it's more of a First-Date Movie. If your date likes it, do not date that person again. And if you like it, there may not be a second date.

(1942 – 2013) American film critic, journalist & screenwriter

Was there no one connected with this project who read the screenplay, considered the story, evaluated the proposed film and vomited?

(1942 – 2013) American film critic, journalist & screenwriter

I will one day be thin… but Vincent Gallo will always be the director of The Brown Bunny.

(1942 – 2013) American film critic, journalist & screenwriter

It was W. C. Fields who hated to appear in the same scene with a child, a dog, or a plunging neckline – because nobody in the audience would be looking at him. Jennifer Aniston has the same problem in this movie even when she’s in scenes all by herself.

(1942 – 2013) American film critic, journalist & screenwriter

Caligula is sickening, utterly worthless, shameful trash. If it is not the worst film I have ever seen, that makes it all the more shameful.

(1942 – 2013) American film critic, journalist & screenwriter

No matter what they're charging to get in, it's worth more to get out.

(1942 – 2013) American film critic, journalist & screenwriter

I urgently advise hospitals: Do not make the DVD available to your patients; there may be an outbreak of bedpans thrown at TV screens.

(1942 – 2013) American film critic, journalist & screenwriter

To call A Lot Like Love dead in the water is an insult to water.

(1942 – 2013) American film critic, journalist & screenwriter

Spice World is obviously intended as a ripoff of A Hard Day's Night which gave The Beatles to the movies… the huge difference, of course, is that the Beatles were talented — while, let's face it, the Spice Girls could be duplicated by any five women under the age of 30 standing in line at Dunkin' Donuts.

(1942 – 2013) American film critic, journalist & screenwriter

The best thing about it is that it runs for only 75 minutes.

(1942 – 2013) American film critic, journalist & screenwriter

Pearl Harbor is a two-hour movie squeezed into three hours…

(1942 – 2013) American film critic, journalist & screenwriter

They say state-of-the-art special effects can create the illusion of anything on the screen, and now we have proof: It's possible for the Jim Henson folks and Industrial Light and Magic to put their heads together and come up with the most repulsive single creature in the history of special effects, and I am not forgetting the Chucky doll…

(1942 – 2013) American film critic, journalist & screenwriter

Matthew McConaughey and Kate Hudson star. … If I were taken off the movie beat and assigned to cover the interior design of bowling alleys, I would have some idea of how they must have felt as they made this film.

(1942 – 2013) American film critic, journalist & screenwriter

If I ever do a festival of films that deserve to be overlooked, Friends & Lovers is my opening night selection.

(1942 – 2013) American film critic, journalist & screenwriter

I hated this movie. Hated, hated, hated, hated, hated this movie. Hated it. Hated every simpering stupid vacant audience-insulting moment of it. Hated the sensibility that thought anyone would like it. Hated the implied insult to the audience by its belief that anyone would be entertained by it.

(1942 – 2013) American film critic, journalist & screenwriter