Author: Roger Ebert Page 2

Perhaps it was made by beings from another planet, who were able to watch our television in order to absorb key concepts such as cars, sex, leukemia, and casinos, but formed an imperfect view of how to fit them together.

(1942 – 2013) American film critic, journalist & screenwriter

I've seen audits that were more thrilling.

(1942 – 2013) American film critic, journalist & screenwriter

I've been reviewing movies for a long time, and I can't think of one that more dramatically shoots itself in the foot.

(1942 – 2013) American film critic, journalist & screenwriter

John Waters’ Pink Flamingos has been restored for its 25th anniversary revival, and with any luck at all that means I won’t have to see it again for another 25 years. If I haven’t retired by then, I will.

(1942 – 2013) American film critic, journalist & screenwriter

If you want to save yourself the ticket price, go into the kitchen, cue up a male choir singing the music of hell, and get a kid to start banging pots and pans together. Then close your eyes and use your imagination.

(1942 – 2013) American film critic, journalist & screenwriter

I hated this movie. Hated, hated, hated, hated, hated this movie. Hated it. Hated every simpering stupid vacant audience-insulting moment of it. Hated the sensibility that thought anyone would like it. Hated the implied insult to the audience by its belief that anyone would be entertained by it.

(1942 – 2013) American film critic, journalist & screenwriter

“This sucks on so many levels.” — Dialogue from Jason X. Rare for a movie to so frankly describe itself. Jason X sucks on the levels of storytelling, character development, suspense, special effects, originality, punctuation, neatness and aptness of thought.

(1942 – 2013) American film critic, journalist & screenwriter

The Last Airbender is an agonizing experience in every category I can think of and others still waiting to be invented.

(1942 – 2013) American film critic, journalist & screenwriter

Was there no one connected with this project who read the screenplay, considered the story, evaluated the proposed film and vomited?

(1942 – 2013) American film critic, journalist & screenwriter

If I ever do a festival of films that deserve to be overlooked, Friends & Lovers is my opening night selection.

(1942 – 2013) American film critic, journalist & screenwriter

To call it an anticlimax would be an insult not only to climaxes but to prefixes.

(1942 – 2013) American film critic, journalist & screenwriter

I had a colonoscopy once, and they let me watch it on TV. It was more entertaining than The Brown Bunny.

(1942 – 2013) American film critic, journalist & screenwriter

I will one day be thin… but Vincent Gallo will always be the director of The Brown Bunny.

(1942 – 2013) American film critic, journalist & screenwriter

Parents: If you encounter teenagers who say they liked this movie, do not let them date your children.

(1942 – 2013) American film critic, journalist & screenwriter

Caligula is sickening, utterly worthless, shameful trash. If it is not the worst film I have ever seen, that makes it all the more shameful.

(1942 – 2013) American film critic, journalist & screenwriter

This movie doesn't scrape the bottom of the barrel. This movie isn't the bottom of the barrel. This movie isn't below the bottom of the barrel. This movie doesn't deserve to be mentioned in the same sentence with barrels.

(1942 – 2013) American film critic, journalist & screenwriter

Add it all up, and what you’ve got here is a waste of good electricity. I’m not talking about the electricity between the actors. I’m talking about the current to the projector.

(1942 – 2013) American film critic, journalist & screenwriter

It's the worst kind of bad film: the kind that gets you all worked up and then lets you down, instead of just being lousy from the first shot.

(1942 – 2013) American film critic, journalist & screenwriter

Battlefield Earth is like taking a bus trip with someone who has needed a bath for a long time. It's not merely bad; it's unpleasant in a hostile way.

(1942 – 2013) American film critic, journalist & screenwriter

Troy is based on the epic poem The Iliad by Homer, according to the credits. Homer’s estate should sue.

(1942 – 2013) American film critic, journalist & screenwriter

Young men: If you attend this crap with friends who admire it, tactfully inform them they are idiots. Young women: If your date likes this movie, tell him you’ve been thinking it over, and you think you should consider spending some time apart.

(1942 – 2013) American film critic, journalist & screenwriter