Author: Roger Ebert

The movie is an assault on the eyes, the ears, the brain, common sense, and the human desire to be entertained. No matter what they're charging to get in, it's worth more to get out.

(1942 – 2013) American film critic, journalist & screenwriter

If you plan to miss this movie, better miss it quickly; I doubt if it’ll be around to miss for long.

(1942 – 2013) American film critic, journalist & screenwriter

I will one day be thin… but Vincent Gallo will always be the director of The Brown Bunny.

(1942 – 2013) American film critic, journalist & screenwriter

Watching Mad Dog Time is like waiting for the bus in a city where you're not sure they have a bus line.

(1942 – 2013) American film critic, journalist & screenwriter

Wild Wild West is a comedy dead zone. You stare in disbelief as scenes flop and die. The movie is all concept and no content; the elaborate special effects are like watching money burn on the screen…

(1942 – 2013) American film critic, journalist & screenwriter

Last year, I reviewed a nine-hour documentary about the lives of Mongolian yak herdsmen, and I would rather see it again than sit through The Frighteners.

(1942 – 2013) American film critic, journalist & screenwriter

Pearl Harbor is a two-hour movie squeezed into three hours…

(1942 – 2013) American film critic, journalist & screenwriter

Parents: If you encounter teenagers who say they liked this movie, do not let them date your children.

(1942 – 2013) American film critic, journalist & screenwriter

No matter what they're charging to get in, it's worth more to get out.

(1942 – 2013) American film critic, journalist & screenwriter

I hated this movie. Hated, hated, hated, hated, hated this movie. Hated it. Hated every simpering stupid vacant audience-insulting moment of it. Hated the sensibility that thought anyone would like it. Hated the implied insult to the audience by its belief that anyone would be entertained by it.

(1942 – 2013) American film critic, journalist & screenwriter

The best thing about it is that it runs for only 75 minutes.

(1942 – 2013) American film critic, journalist & screenwriter

Since the scenes where they're together are so much less convincing than the ones where they fall apart, watching the movie is like being on a double-date from hell.

(1942 – 2013) American film critic, journalist & screenwriter

There is a word for this movie, and that word is: “Ick.”

(1942 – 2013) American film critic, journalist & screenwriter

Matthew McConaughey and Kate Hudson star. … If I were taken off the movie beat and assigned to cover the interior design of bowling alleys, I would have some idea of how they must have felt as they made this film.

(1942 – 2013) American film critic, journalist & screenwriter

The Last Airbender is an agonizing experience in every category I can think of and others still waiting to be invented.

(1942 – 2013) American film critic, journalist & screenwriter

Battlefield Earth is like taking a bus trip with someone who has needed a bath for a long time. It's not merely bad; it's unpleasant in a hostile way.

(1942 – 2013) American film critic, journalist & screenwriter

Was there no one connected with this project who read the screenplay, considered the story, evaluated the proposed film and vomited?

(1942 – 2013) American film critic, journalist & screenwriter

To call it an anticlimax would be an insult not only to climaxes but to prefixes.

(1942 – 2013) American film critic, journalist & screenwriter

My guess is that African Americans will be offended by the movie, and whites will be embarrassed. The movie will bring us all together, I imagine, in paralyzing boredom.

(1942 – 2013) American film critic, journalist & screenwriter

It's the worst kind of bad film: the kind that gets you all worked up and then lets you down, instead of just being lousy from the first shot.

(1942 – 2013) American film critic, journalist & screenwriter

The director, whose name is Pitof, was probably issued with two names at birth and would be wise to use the other one on his next project.

(1942 – 2013) American film critic, journalist & screenwriter