Author: Mr. Cranky

The main character’s bout with cancer throughout 50/50 was nothing compared to the mental anguish I was forced to deal with as the 'plot' of this misguided medical morass unfolded before me.

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Unfortunately, all Coach Carter taught me was that I can actually scratch the first four verses of Revelations into the back of a theater chair with my fingernail in a little under two hours.

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There’s saccharine writing and then there’s writing that, if you could liquefy it and inject it into the five-year-olds watching this thing, would launch them into space. This is the latter.

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It’s like Isacsson wrote the dialogue to be performed by two sales consultants at a marketing conference.

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Love is a douche commercial.

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This had all the drama of a traffic jam.

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Steve Guttenberg and a friendship between a dog and a dolphin – in what fiery pit of hell was this heartwarming plot conjured?

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Affleck probably got the part of the blind superhero because he was the only actor too inebriated to duck when the producers flung objects at his head.

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If an utter lack of effort had its own award show, the people involved with Baseketball could stand proudly next to the Yugo engineers and Monica Lewinsky's personal trainer as deserving nominees.

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This is the same old, tired crap that Woody Allen has been exporting for who knows how many years now. It's like drinking milk with an expiration date from the Reagan era.

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Barb Wire is unlikely to spark heated intellectual debate at film schools anytime soon.

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This Mamet adaptation takes place in a very confined space, involves little or no action and is mostly concerned with how many minutes an actor can spew Mamet's laborious dialogue without collapsing.

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I don't know if Oliver [Stone] is going through detox or what, but ever since Natural Born Killers, he's moved the camera around like an epileptic in an earthquake.

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There is some serious venom spewing from this movie, probably because screenwriters Steve Franks and Tim Herlihy are beginning to realize their only talent in life consists of riding their friend’s coattails through the Garden of Mediocrity.

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While Stone may look good for her age, the reality is that such behavior in the real world would likely leave her less sexy and irresistible, and more partially decomposed.

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“Flubber” is further evidence of the death of cinema.

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It’s truly rare that you see this level of insightful childhood psychoanalysis in a film about a basketball-playing dog.

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Director Ted Demme is a moron, and here’s why.

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Let’s see, Ben Affleck is stuck with Sandra Bullock in a small vehicle, and they’re driving all the way to Georgia. Is he going to fall in love with her even though they’re complete opposites? Holy shit, I think so.

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This movie is so badly acted and directed that it would have improved its seriousness significantly by casting finger puppets in the major roles.

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Chain Reaction has more nifty coincidences than an identical twins convention.

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